Under “ Pause on this site” click “ Always”.Click the AdBlock icon in the browser extension area in the upper right-hand corner.“ We really wanted on the album and it was like we still wanted people to hear it but we didn’t want to put the music out because we knew it wasn’t a real representation of the album.”Īdblock Adblock Plus Adblocker Ultimate Ghostery uBlock Origin Others “The album was initially like 13, 14 songs and then just at the last second, we kind of were like, ‘Look, if we’re trying to tell a story, let’s just make it as clear as possible and cut it down to that.’ So when we cut out ‘False Prophets’ and ‘Everybody Dies,’ it really hurt,” Hamad said. ’ We didn’t really know the backstory at the time of what happened with Vinylz and Boi1da and who made the beat. What Bryson’s song did was incredible, and to Cole, it was like, ‘It’s a part of the story I want to tell, so I’m gonna use. “Cole had already made the song, so when Bryson’s album came out and we heard it, it was a feeling like, ‘Damn, he used the same sample.’ But to Cole, it don’t matter. We had already made ‘Déjà Vu,’ like that song was literally made for his last album and we just knew it would fit better because of the story he wanted to tell on the album,” Hamad said. You don’t want to just explain what someone is saying directly, but rather you want to explain how different structural or word choices give us a much more nuanced perspective on someone’s ideals or values.“I wouldn’t say there was any hesitation because I felt like it’s just two totally different songs. Cole structure his song this way given the ideas he’s exploring? What might the shift from end rhyme to internal rhyme mean in relation to the issue he’s raising? Why do that? Those are the kinds of questions you want to take up. That’s what it will mean to read and think critically in this class–why did J. In this course, you will want to not just think about what is stated directly but also about what is implied, often indirectly through structure and language. In a sense, the section of your paper meant to analyze the way that the structure informs the ideas that the song expresses doesn’t do that–instead, you basically summarize the song’s lyrical content. Your analysis here, though, is very brief–too brief. I like in particular your attention to the way that the rhymes shift from end rhymes to internal rhymes. You’re very thorough, touching on structural and musical elements. You do a pretty good job here, Alex, discussing the structure of the song. Cole could be possibly implying that goals come before girls by the number of fingers he says to put up in the intro and outro, classifying the dream by “a finger” and the girl by “two fingers”. He prioritizes his goals, or his “promise land”, and indirectly implies that she was the right girl at the wrong time. The bridge softens, telling the girl “Darling don’t you wait for me”. He says that he already has a goal to set out to achieve, and that if he can’t have her now, he can’t stop to be with her for the sake of his goals and career. He introduces the topics at hand then proceeds to speak of how a girl who he fell in love with already had a man. To me, this song seemed more like a story. This song speaks of a girl who “fuck with small town niggas”, while Cole has “bigger dreams”. There is a constant “Ah” and “Yeah” being sung in the background by a feminine voice, that oscillates, and goes higher and lower. The outro is the same as the intro, finishing the way he started. During the bridge, Cole uses an AABB structure repeated twice. It then repeats again into the pre-hook and hook. Cole decides to rhyme within his “bars”, instead of using a formal structure, rhyming the end of the lines. The hook is upbeat and catchy for a concert or party setting, rhyming in a non-structured fashion. She fuck with small town niggas, I got bigger dreams. He finishes off the verse with a ABCBDEBF structure, focusing primarily on the beat, but still incorporating the B rhyme every so often with “true”, “knew”, and “you”. Cole then proceeds into the first verse with an AAAABCBC structure. This suggests to the audience that the topics at hand that the composer wanted to assert were a goal and a girl when referring to “want it” and “want her”. He leads into the intro with enthusiasm, repeatedly exclaiming,Īye, put a finger in the sky if you want it, niggaĪye, put two fingers in the sky if you want her. Intro/Verse 1/Pre-Hook/Hook/Verse 2/Pre-Hook/Hook/Bridge/Outro. Cole’s “Deja Vu”, featured in his latest album, 4 Your Eyez Only, is structured accordingly: Because Rap and Hip Hop is more lyrically intense, the audience expect “bars” ( ). Cole’s music genres can be generally categorized as Rap or Hip-Hop.
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